ISBN: 0-9655570-6-5
19 x 22,8 cm (softcover)
80 pages (31 b/w ill.)
Published: 2004 (out of print)

BRANDON LABELLE is an artist, writer and theorist living in Berlin. His work focuses on questions of agency, community, pirate culture, and poetics, which results in a range of collaborative and para-institutional initiatives, including: The Listening Biennial and Academy (2021-), Communities in Movement (2019-), The Living School (with South London Gallery, 2014-16), Oficina de Autonomia (2017), The Imaginary Republic (2014-19), Dirty Ear Forum (2013-), Surface Tension (2003-2008), and Beyond Music Sound Festival (1998-2002). In 1995 he founded Errant Bodies Press, an independent publishing project supporting work in sound art and studies, performance and poetics, artistic research and contemporary political thought. His publications include: The Other Citizen (2020), Sonic Agency (2018), Lexicon of the Mouth (2014), Acoustic Territories (2010, 2019), and Background Noise (2006, 2015). His latest book, Acoustic Justice (2021), argues for an acoustic model by which to engage questions of social equality. Since 2011 he works as Professor at the Faculty of Fine Art, Music and Design, University of Bergen.

Site Specific Sound
Brandon LaBelle

Site Specific Sound documents a series of sound installations from 1998 to 2002 by sound-artist and writer Brandon LaBelle. Each installation was created as part of the Beyond Music Sound Festival in Los Angeles, an annual festival on sound practice at Beyond Baroque Literary/Arts Center. Functioning site-specifically, and drawing upon the architectural structure of the building, the installations explore the relationship between sound and space by staging social and spatial interventions. In documenting these five installations over the course of five years Site Specific Sound pries open architecture, and the specifics of locality, as a contingent form whose relationship to sound extends well beyond acoustical phenomena. It suggests ways to understand the fabrication of space through sound as a central lens, and architecture as a strategy for the construction of sound events.

Including writings by LaBelle, an interview by the Frankfurt-based media-artist Achim Wollscheid, and a compact disc of audio work.